Sunday, October 19, 2008
Symbolism and Creation, Part 11
“And again, I, God, said: Let there be a firmament in the midst of the water, and it was so, even as I spake; and I said: Let it divide the waters from the waters; and it was done; And I, God, made the firmament and divided the waters, yea, the great waters under the firmament from the waters which were above the firmament, and it was so even as I spake. And I, God, called the firmament Heaven; ….”
The above creation event from Moses was not to be confused with the next in that the former had occurred in the “heaven” while what is spoken of next involved the Earth we now stand upon.
“And I, God, said: Let the waters under the heaven be gathered together unto one place, and it was so; and I, God, called the dry land Earth; and the gathering together of the waters, called I the Sea; … And I, God, said: Let the earth bring forth grass, the herb yielding seed, the fruit tree yielding fruit, after his kind, and the tree yielding fruit, whose seed should be in itself upon the earth, and it was so even as I spake.”
So, thanks to the clarifications of Joseph Smith and our revised view of the creation accounts, we find that the Moses account is far more accurate and much less confusing than the Genesis account, even though it maintains the symbolic imagery of ancient tradition.
These verses speak eloquently for the validity of our claims. They conform to the proposed model outlined above as well as clarifying the more laconic Old Testament account. This is no coincidence. Rather, it is a direct result of the comparison of creation accounts from all ancient cultures to flesh out the original intent of the Genesis author. Only allowing the accounts to speak for themselves rather than forcing them into some preconceived model of our own invention or from popular convention produces this amazing result.
At the same time, that knowledge allows us to understand revealed scripture as never before. Thanks to the perspective provided by an unorthodox view of ancient history and the resulting imagery, Latter-day Saints can fully comprehend the imagery of this account, as revealed in these latter days. What was once a bit puzzling and confusing in this account, due to our formerly flawed paradigm, now becomes crystal clear detail with astounding accuracy. This realization will only become more profound as we proceed with this analysis.
This ‘gathering’ process, into what Cardona calls the “placental cloud,” that is, the swirling plasma that looked like a whirlpool or a tornado in the northern sky, allowed the first glimpse of the glowing ball of light at the center of the ‘waters’ to more fully emerge. This also allowed what had been only a dim glow in the whirlpool of clouds to now cast much more light on our planet. So, the scriptures relate that then “there was light” to follow what had been “darkness.”
The ‘creation’ had begun, and mankind was there to watch it happen.
Of course, in this ‘darkness’ there was never a total absence of light, as one might believe from reading the scriptural accounts without further corroboration. Though it was probably dim, there was enough light to make out these features in the sky and to simply maneuver about.
If our parent planet, Saturn, were actually a brown dwarf star, as Thornhill speculates, then the light from Saturn that reached the Earth in this earliest epoch was probably much dimmer than the white light we receive from the Sun, our captor star, today. Hence the reference in many accounts to significantly reduced light, which can only be described from our perspective as a diffuse glow, akin to our twilight.
The spectrum of light was probably quite different than what we experience today. It was probably more shifted toward the infrared spectrum, which accelerated plant growth but also gave a very different, darker look to our world. Also, there was no day/night cycle, as is the case today, and the Earth would have been equally warm at the poles as at the equator. These two factors would have provided a very different environment than that which exists today, making the entire world a “Garden of Eden.”
Thanks to that wholesome environment, all humans needed was provided for them without any effort on their part. This is implied in the creation accounts following Adam and Eve’s expulsion from the garden when they are told that the Earth is “cursed,” that in place of the easily obtained foodstuffs there would now be “thorns and thistles” Thereafter they will be required to work to eat, “… in sorrow shalt thou eat of it all the days of thy life.” They are told, “By the sweat of thy face shall thou eat bread ….”
Even more significantly, the accelerated aging process, which we now endure, was not a problem for them. The environment, dramatically different as it was, proved beneficial to life rather than harmful, as it is now.
Thus, statements from other cultures about that first epoch provide us, again, with much more information. Hesiod, the Greek philosopher wrote: “First of all the deathless gods who dwell on Olympus made a golden race of mortal men who lived in the time of Kronos when he was reigning in heaven. And they lived like gods without sorrow of heart, remote and free from toil and grief; miserable age rested not on them … The fruitful earth, unforced, bear them fruit abundantly and without stint. They dwelt in ease and peace upon their lands with many good thing, rich in flocks and loved by the blessed gods.”
© Anthony E. Larson, 2008
Symbolism and Creation, Part 10
Of course, the north is where all things significant are said to happen in ancient lore. At the risk of repeating myself, I must point out that all the creator gods were located in the celestial north, where our thesis places the planet Saturn.
As we shall see, these three references to water recall the creative waters in heaven from which all things were created, as all creation myths assert. It also strongly suggests that words such as the “deep” and the “abyss” from which such beastly images are said to emerge was an astral phenomenon, not something on or beneath the Earth. It further strengthens our assumption that the beasts themselves were originally astral in origin. Thus, we see that even the symbolism used by the prophets to describe what they saw in vision was dictated by the metaphorical symbolism derived from antiquity.
As in Ezekiel’s account, these waters of creation were more than an amorphous water-like phenomenon. They were a whirling, broiling, cloud-like phenomenon, looking much like a tumultuous whirlpool in the sky. Hence, the ancients refer to this swirling, churning mass as water that surrounded and enfolded the creator god.
This was the original Cosmos, the creative cosmic sea from which the first astral gods emerged. The Egyptians called it the “Pai-land,” the Island of Fire” and “the divine emerging primeval island.” This was the “island of Hetep (rest).” That is, while it slowly churned in place, that central place did not move.
This is the Greeks’ lost island, which they called Ogygia, which they envisioned in the north. This island was said to have floated on the sea of heaven. It is the aether (again, a fiery sea) of the Orphic Hymns and Mysteries from which came the revolving, golden “egg,” out of which came the creation. In the Egyptian coffin texts we read: “I was he who came into existence as circle, he who was the dweller in his egg. I was the one who began everything, the dweller in the primeval waters.”
Envision, if you will, a slowly rotating whirlpool of seething, boiling clouds — not those we see in the sky on a summer day, but those that roil and entwine. Moreover, these clouds seemed to have a life of their own, and they must have glowed or appeared to smoldered, as does thick smoke from hot coals. Another way to envision this creative whirlpool is to visualize an artist’s rendering of a black hole, then flip it upside down in your mind’s eye so that it is above you in perspective.
This is where the concept of the witch’s cauldron comes from, a boiling, churning mass of creative energy from which emerge fantastic creatures or powerful magic spells.
Japanese legends recall a similar celestial island to the Greeks’ Ogygia. They called it Onogora, “the drifting land.” It was the island of the “Congealed Drop”, that is, the island emerged from these celestial waters. This was the “white island” of Zeus, which revolved “in the midst of the sea.” The Hindus also remember this “white island” (Shweta-dwipa), which was located at the polar center. The Toltecs of Tula, Mexico, told of this “white island,” calling it the center of the world.
This is undoubtedly the same mythical island that Plato learned about from the Egyptians, which he called Atlantis. Although he embellished the myth greatly, the description of that legendary island civilization has all the hallmarks of a Saturn icon.
It is no less an authority on things Egyptian than Budge, who summarized the Egyptian version of the creation thusly: “The first act of creation began with the formation out of the primeval watery mass of an egg, wherefrom issued the light of the day, i.e. Re.” This was their “Island of the Egg.” He also wrote, “From various passages found in the religious, mythological and funeral texts of all (Egyptian) periods, it is abundantly clear that in primeval times, at least, the Egyptians believed in the existence of a deep and boundless watery mass out of which had come into being the heavens, and the earth, and everything that is in them.”
Thus we see that in the ancient mind, the land that arose from the heavenly waters was equated with an egg. Why? Because, that ‘egg’ eventually ‘opened’ as the embryonic cloud gradually dissipated, revealing the heretofore shrouded planet Saturn with its “golden seed,” the two planets Venus and Mars. The Earth, of course, was located at the ‘base,’ if you will, of these polarly aligned or ‘stacked’ planets.
In the Babylonian creation myth, called the “Enuma Elish,” we read, “When on high the heaven had not been named, firm ground below had not been called by name, there was naught but primordial Apsu, their begetter, and mother Tiamat, who bore them all, their waters commingling in a single body.” The name Apsu is also written Abzu, from whence came the Greek abyssos and the Roman abyssus, and subsequently our word “abyss,” the “deep” of creation and prophecy.
So, the “heaven” and the “earth” of Genesis are nothing more than allusions to different parts of this astral whirlpool or nebular disc that hovered overhead. That is, the “firmament” was the island or “earth.” The waters surrounding that heavenly land were said to be the “waters which were under the firmament” and the “waters which were above the firmament.” The egg, island, land, earth or firmament therefore “divided the waters,” since it sat in the very middle.
This also explains the otherwise contradictory use of the term “firmament” for the sky or the “vault of the heavens.” Dry land can be called “firm,” but not air and sky. Yet, when the island or land emerged in the center of the slowly rotating nebular disc, it could rightly be called “firm” or firmament. So, it is to the planet emerging in the heavens that the ancients referred when they used that term.
Of course, where the Egyptians saw an egg emerging from the waters and the Greeks saw an island, the Hebrews saw “dry land appear” when the “waters” were “gathered together unto one place.” Of course, God called this dry land “earth.” This was Saturn and its companions emerging from the plasma or gaseous envelope (Cardona calls in a “placental cloud”) that had previously hidden them from the gaze of earth-bound observers.
© Anthony E. Larson, 2008
Saturday, October 18, 2008
Symbolism and Creation, Part 2
This is a vital concept that must be mastered in order to see these images properly. Joseph was not revealing gospel truths here. He was simply interpreting these images to the best of his ability. So, what we are confronted with in his explanations are Egyptian concepts, not gospel concepts.
This is implicit in the language he used. For example, of Figure #3, in the hypocephalus, he wrote, “Is made to represent God, sitting upon his throne, clothed with power and authority, with a crown of eternal light upon his head.” The words he chose to explain this depiction of Horus seated in his solar boat — “made to represent” — clearly indicates he is interpreting the meaning attributed to it by the Egyptians. The “who” that made this images to represent things were the Egyptians themselves — not God, not Joseph Smith. The phrase can have no other interpretation.
Thus, we learn that even Joseph’s explanations of the facsimiles are nothing but descriptions of the symbolism.
If we extend that principle or point of view to the term Kolob, then we must admit that he is also describing something that the Egyptians believed and used in their iconography. He is not describing some distant place, star or planet far from the Egyptians’ view. It must have been something with which they were very familiar for it to become part of their belief system.
This corroborates the “local principle.” That is, not only did God say he was going to explain to Abraham only those things having to do with our solar system, we can now see that Joseph’s explanations did not extend beyond the beliefs of the Egyptians. Thus, both concepts point to a local perspective, implying that Kolob was/is a local star or planet. In fact, all the icons Joseph explains can be thus designated, as we will see.
This concept is vital to understanding the symbolism of the creation account. Only by understanding the role this symbolism plays in the real events and actors in the ancient celestial drama can we begin to understand the actual astral agents at work in the creation account.
Notice, too, that in calling this “governing” planet Kolob, God was using an Egyptian or Semitic word to name it. Thus, Abraham would have known exactly which planet or star he was looking at. Since Abraham came from an area known for its expertise in astronomy, Ur of Chaldea, he would have known the traditions of that planet, the one the ancients called the “best Sun,” the one the Babylonians called Shamash, (the Old Testament god Chemosh).
God wanted to eliminate any confusion. After all, planets have certain commonalities that make them hard to differentiate unless we know which one we’re looking at. In effect, God said to Abraham, “See this planet? It is the one your people call Kolob. It’s the star your traditions say governed all the others in heaven.”
Next, we will identify the planet Saturn as the Kolob of Abraham and the Egyptians.
© Anthony E. Larson, 2008
Thursday, October 16, 2008
The Lost Tribes
The practice of calling people from that area “Galileans” was widespread, apparently — certainly more common than calling them Israelites. The name seems to have followed groups of people who migrated from Northern Palestine sometime before the time of Christ to an area south of the Black Sea in what is presently modern Turkey. Evidence of this is found in Paul’s letter to the Galatians, which he addressed to “the churches of Galatia.” (Galatians 1:2.)
Clearly, the Galatians were Galileans who had brought the place-name of their homeland with them, subsequently lending it to their new locality.
Therefore, it should be no surprise to learn that, much earlier, these people were an identifiable group known to both the Romans and the Greeks before them. The Romans called the people from the Galatia region “Galatae,” a Latin pronunciation.
Since Galatia was also proximate to the ancient Greek city-states, the Greeks also recognized them, calling them “Keltoi,” a Greek derivation of the same word.
It is in these two variations that we find a whole new slant on history and the destiny of the biblical Israelites.
What is not generally recognized is that derivations of this same place name can be found in Europe. In his letters to Rome describing his campaign against the barbarians in Europe in 58 B.C., Julius Caesar wrote, “All Gaul is divided into three parts.” Indeed, the “Gallic” tribes he found there are known to us as Gaels who spoke Gaelic. Also known as Kelts, from the Greek “Keltoi,” they are now called Celts.
Evidently, the Galileans had done considerable wandering.
This etymological trail leads us to a remarkable conjecture. Did ancient Israelites living in Northern Israel/Palestine migrate northward in large numbers into Europe anciently, long before the time of Christ, intermingling with the native peoples living there, giving the place name of their homeland, Galilee, to each locale where they settled and to themselves as Galileans?
One of the more enduring enigmas of ancient history is the disappearance of the so-called Lost Tribes — most of the House of Israel. While it is well known that there were once 12 tribes of Israel, today we find only two: Judah and Levi, who are collectively called Jews.
The question is, where are the other ten tribes?
The Old Testament relates that at the death of King Solomon, Israel split into two nations. The tribes of Judah, Levi and some of Benjamin occupied Jerusalem and the Southern Kingdom. The other ten tribes occupied the Northern Kingdom. Each territory had its own king, and the inhabitants considered themselves the rightful heirs of the name Israel.
The northward migrations began in Isaiah’s time, when the Assyrian king Sennacherib invaded Israel from the northeast. The people living in Northern Israel could choose to stand and fight, or they could seek refuge from the Assyrian juggernaut by migrating north and westward.
Still later, the Babylonian king Nebuchadnezzar also invaded Palestine. Once again, it is likely that large numbers of Israelites fled northward rather than face the invading Babylonians who went on to conquer and deport all the Jews in Jerusalem and the Southern Kingdom to the northern extremity of Babylonia.
Finally, many Jews who were later freed from their exile by a more beneficent Babylonian king chose to migrate northward rather than return to Jerusalem.
Could it be that these three were the migrations that found their way into Europe?
Curiously, there is yet another etymological clue that supports this view.
Anciently, Jews or any of the Israelite tribes were properly called Hebrews. Interestingly, ancient Egyptian letters use that very name, confirming our thesis. Called the Amarna tablets after the site where they were discovered in middle Egypt in 1887, they were written to the Egyptian pharaoh Akenaten by vassal kings in Palestine. (See Tel el-Amarna Letters in the Bible Dictionary in the L.D.S. King James Version of the Bible, p. 780.)
Some of these letters from rulers in Canaan (Palestine) speak of invading marauders from the east desert, calling them “Habiru” — a name clearly related to our word “Hebrew.” Thus we see that as early as the 14th century B.C., Israelites were identified as Hebrews.
Apparently, Galileans, fleeing first Assyrian and then later Babylonian armies, migrated northward to settle in Europe after detouring around the Black Sea — some through the Caucasus on the east where they came to be called Caucasians, and others across the Bosphorous Straits and modern Istanbul on the west where they could follow the same route into the heart of Europe that the Orient Express takes today.
Interestingly, as we look north and west from the Middle East in the directions where the Ten Tribes likely fled, we find many place-names and people that use some form of the root word Habiru or Hebrew.
In the far north of modern Russia we find a region called Siberia. Once again, the root ‘iberia’ or ‘iberiu’ is prominent, indicating that many Hebrews may have migrated there. Notably, some historians place the Lost Tribes in the area of the Volga River in the Russian Steppes where it is likely that the inhabitants named their city Samara after their homeland Samaria. Additionally, their ruling aristocracy spoke fluent Hebrew. More than 700 inscriptions in the Crimea suggest Hebrew origins, and Hebrew burial tombs have been traced as far north as Sweden where 19 of 22 Hebrew tribal symbols have been found in the area occupied by Germanic tribes. (Church News, May 15, 1982, p. 10.)
From the city Tarshish (Tarsis), home of the Apostle Paul on the southwest coast of modern Spain, we learn that the Celts in that locality called themselves “Iberiu,” a name strikingly similar to the Habiru of the Amarna letters and our word “Hebrew.” Indeed, France, Spain and Portugal occupy a peninsula that is called Iberia to this day, derived from the name of the people who inhabited the region. In fact, the people who live there were historically called Celtiberians, a combination of the two names the Israelites brought with them: Kelts (Galatae, Galileans) and Iberiu (Habiru, Hebrews).
And they persisted in their westward migration. The last bastion of Celtic culture in modern times is Ireland — the furthermost westerly bit of real estate in Europe — whose ancient name is Hibernia, another derivation of Hebrew (Iberiu).
All these similar sounding names cannot be mere coincidence. Clearly, the migrating Galileans also took the name “Hebrew” with them, subsequently using it as a root word for many place names where they settled on the European continent. If such were the case, then one might expect to find Hebrew words in the many European languages. And so it is.
Linguistic research done by Dr. Terry M. Blodgett, a Latter-day Saint whose doctoral dissertation, “Phonological Similarities in Germanic and Hebrew,” delineates a dramatic “Semitic Sound Shift” that occurred in the Germanic languages (German, English, Dutch and Scandinavian) between 700 B.C. and 500 B.C. — precisely the time frame for the three northward migrations of Israelite tribes detailed previously.
Dr. Blodgett compares the Germanic language changes with ancient Hebrew and finds similarities between the two that are more than coincidental.
“At the same early period of history identified previously, the Germanic dialects added many new words to their vocabularies which were not Indo-European in origin. Approximately one-third of all Germanic vocabulary is listed in the etymological dictionaries as being of unknown origin. A comparison of these words with Hebrew vocabulary reveals that these words are similar to words in Hebrew.” (Church News, May 15, 1982, p. 10.)
There were several identifiable migrations of Hebrew-speaking people into Northern Europe, according to Dr. Blodgett, and it was that sudden influx of Hebrew-speaking people that was the likely cause of the Germanic Sound Shift.
In fact, there may be many ethnic groups names and place names in Europe that are Hebrew in origin but used in a Germanic syntax, a predictable effect of the blending of the two languages which reverses the order of the Hebrew words. For example, “son of Isaac,” in Hebrew (Ben Isaac) becomes “Isaac’s son” in English. Joined and abbreviated over time, the name became “Saxon.”
The word ‘British’ may be a combination of two Hebrew words: brit, meaning ‘covenant,’ and isha, meaning ‘man’ — brit-isha or British.
The conclusion is inescapable. When Joseph Smith sent out the first missionaries to a foreign country, they went to the British Isles because “England is rich in the blood of Israel” — not an idle comment since those wandering Israelites have been moving westward ever since they entered Northern Europe over two millennia ago.
Of course, a prophet of God would know these things. It only makes sense that a restoration of the true gospel in the last days would take place among descendents of Abraham, Isaac and Jacob (Israel) who would be compelled by subtle, spiritual urges to settle in their “land of promise.”
Hence, we now see new meaning in the words of Joseph Smith when he wrote, “We believe in the literal gathering of Israel and in the restoration of the Ten Tribes; that Zion (the New Jerusalem) will be built upon the American continent …” (The Articles of Faith, #10.)
So, if you are of European descent, the next time someone asks you where the Ten Lost Tribes went, you can say, “You’re lookin’ at ‘em!”
© Anthony E. Larson, 2002
Saturday, September 27, 2008
The Keys to Prophecy 3: The Prophets' Language
Israel strayed into the same practices as their neighbors, though their prophets strove mightily to curb that idolatry.
"And they left all the commandments of the Lord their God, and made them molten images, even two calves, and made a grove, and worshipped all the host of heaven, and served Baal." (2 Kings 17:16, italics added.)
King Josiah attempted to "put down the idolatrous priests, whom the kings of Judah had ordained to burn incense in the high places in the cities of Judah, and in the places round about Jerusalem; them also that burned incense unto Baal, to the sun, and to the moon, and to the planets, and to all the host of heaven." (ibid. 23:5, italics added.)
Clearly this "host" or group was not comprised of God and his angels, and the heaven spoken of is not God's residence. The prophets referred to astral or cosmological bodies, as is specifically stated: the sun, moon, planets and stars. And the heaven spoken of is the vault of the sky over the Earth where all such astral bodies reside. This concept is key to understanding the meaning of the prophets.
Pay particular attention to the fact that planets are listed, along with the sun and the moon, among the things designated as the "host of heaven." Note that calves, cows and bulls were intrinsic symbols employed in their worship and the implication long recognized by scholars that Baal was an astral or cosmological deity.
Likewise, illustrations of the Egyptian goddess Hathor always depict her either as a cow with what is called a "sun disk" between her horns or as a queen wearing a disk and horns on her head.
In fact, it was the worship of astral images that the Lord, speaking through Moses, condemned "… lest thou lift up thine eyes unto heaven, and when thou seest the sun, and the moon, and the stars, even all the host of heaven, shouldest be driven to worship them, and serve them …." (Deuteronomy 4:19.)
So, the Israelites worshipped the stars and the planets in identical fashion to their neighbors the Babylonians, the Assyrians and the Egyptians. Scholars who study antiquity have long asserted this.
Joseph Smith, too, emphasized that the Egyptians’ gods represented "planets" and "stars" when he produced his explanations of his Egyptian papyri. It is no great leap of logic, therefore, to assume that the language of the prophets, immersed in Israelite culture, reflected that astral worship — reverence for the stars, moon, sun and planets — even though they condemned the practices associated with it.
So it is that when we turn to the scriptures, we see an abundance of such cosmological imagery in prophetic declarations — especially those concerning the last days. Tellingly, the same imagery can be found in other biblical pronouncements, illuminating their origins for us.
Let’s look at just one example.
"And there appeared a great wonder in heaven; a woman clothed with the sun, and the moon under her feet, and upon her head a crown of twelve stars." (Revelation 12:1.)
This 'woman,' described by John, is the same 'woman' worshipped by the idolatrous Israelites, their Queen of Heaven.
"But we will certainly do whatsoever thing goeth forth out of our own mouth, to burn incense unto the queen of heaven, and to pour out drink offerings unto her, as we have done, we, and our fathers, our kings, and our princes, in the cities of Judah, and in the streets of Jerusalem …." (Jeremiah 44:17.)
Sumerians also called their sky goddess, Inanna, the "Queen of Heaven." She was the Babylonians’ Ishtar, the Assyrians’ Astarte and the Egyptians’ Hathor (Athyr), Isis, or Sekhmet.
Of particular importance is that the very names of this goddess, Astarte, Ishtar and Athyr (the ‘s’ is aspirated), have the same root as our word ‘star,’ betraying their astral origin. They were all 'star' goddesses.
More familiar names for the same star goddess would include the Greek Aphrodite, Athena, and Artemis, or the Latin Venus, Minerva, and Diana.
As we learned in the previous installment in this series, Joseph Smith indicated that such symbols are representations. "When the prophets speak of seeing beasts [a woman in this case] in their visions, they mean that they saw the images, they being types to represent certain things." (History of the Church, p. 343.)
In the case of the Egyptian papyri, Joseph explained that those images that did not represent some spiritual concept such as God or the priesthood, instead represented stars and planets.
This is key. Like most Egyptian icons, the woman represents a star or a planet. Of course, in the ancient mind, both words can apply to the same image in the sky because they looked alike, mere pinpoints of light. But the archetype, the original image for these goddesses, was a planet. Joseph was emphatic about that.
Yet another connection is provided by the fact that Hathor, who nearly all scholars agree represented the planet Venus, was a celestial calf or heifer — the very same calf goddess worshipped by idolatrous Israelites, as we have seen. This lets us look at the woman of Revelation with new eyes. Substitute the word 'planet' for 'woman,' in the above verse, and you have a more relevant, understandable image that fits better with the sun, moon and stars imagery.
The same kinds of connections can be made for nearly all prophetic images, such as the beasts, the mountain, the kings, horses and other creatures, further strengthening this assessment.
© Anthony E. Larson, 2004
Saturday, August 30, 2008
Temple Symbols and Christmas
Perhaps that’s because Christmas is a holiday largely based on what most would call pagan festivals. In fact, it’s likely that Christians appropriated an ancient, cross-cultural tradition for our Christmas celebration that predates Christ by centuries, if not millennia.
Christ was not born in December. We learn from modern revelation that he was actually born in April. (See Doctrine and Covenants, Section 20.)
The idea to celebrate Christmas on December 25 originated in about the 4th century. The Catholic Church, based in Rome, wanted to eclipse the festivities of the original pagan religion of the Romans called Saturnalia. It was their preeminent holiday, a midwinter celebration of the birthday of their sun god, Saturnus. Church leaders decided that in order to alter pagan beliefs, they had only to superimpose the birth of the Christ child on the pagan celebration. So, they instituted the Mass of Christ or Cristes Maesse in Old English — Christmas.
In fact, there are an abundance of pagan midwinter festivals from cultures and religions the world over.
Special sanctity was attached to the period of the winter solstice in most traditional societies of Europe even before the introduction of Christianity in the first millennium A.D. The cult of the tree was especially prevalent among the early Celtic and Nordic peoples of Europe. Centuries ago in Great Britain, the Druids used holly and mistletoe as well as evergreens as symbols of eternal life during mysterious winter solstice rituals. They would also place evergreen branches over doors to keep away evil spirits. According to the Roman sources, the Celts of Gaul and Britain worshipped in groves of trees. When Europeans adopted Christian traditions, they created a blend of their winter solstice celebrations with that of the Catholic Church.
So, the roots of Christmas and its symbolic trappings lie deep in pagan cultural traditions, practices and beliefs, not in Christianity at all. This admixture of traditions — part Christian, part pagan — has created the hodgepodge holiday we know today.
For those reasons, many Latter-day Saints disapprove of the “worldly” trappings of Christmas. But that distaste may not be justified.
In an astonishing irony, a close look shows us that the iconography of latter-day temples — the Salt Lake Temple being the quintessential example — echoes the traditional, symbolic trappings from hoary antiquity that are now part of our Christmas celebration, validating symbols like Santa Claus and the Christmas tree.
The basis for this claim becomes clear when we look for indications of our Christmas traditions in numerous ancient cultures and then connect them with the symbolism found on the exterior walls of the temple in Salt Lake City.
So, let’s review the origins and history of today’s Christmas.
The controversial Gerald Massey, in two large works (The Natural Genesis and Ancient Egypt), claimed that the priest-astronomers of ancient Egypt first formulated the religion and mythology of a polar god, which tradition then spread from Egypt to the rest of the world. This may have been the starting point for our Santa Claus, a magical individual who lives at the North Pole. Additionally, ancient Egyptians treasured and worshipped evergreens. When the winter solstice arrived, they brought green date palm leaves into their homes to symbolize life's triumph over death.
Later, the Greeks memorialized the winter solstice with Kronia, a festival recalling the Golden Age, ruled by Kronos, another polar god and the father of Zeus.
Following the Greeks, the Romans adopted the same festival, the predecessor of modern Christmas-tide, renamed it Saturnalia in honor of Saturn, their father-god and equivalent of the Greek’s Kronos. They decorated their houses with greens and lights and exchanged gifts. They gave coins for prosperity, pastries for happiness and lamps to light one's journey through life. They decorated their trees with bits of metal and candles in honor of their sun god.
Trees — especially the conifer or evergreen — were objects of sacred significance in many ancient cultures. The Norse religion involved worship in sacred groves, which were trees planted to simulate the walls of a temple. This connects the tree to temple building traditions. Indeed, nearly all temples, ancient and modern, are adorned with gardens, as is the case on Temple Square.
The Canaanites, too, had sacred groves for worship, and the disobedient nation of Israel adopted this form of worship at the outset of their wanderings out of Palestine.
"For they also built them high places, and images, and groves, on every high hill, and under every green tree." (1 Kings 14:23. See also 2 Kings 17:9, 10.)
"Then shall ye know that I am the Lord, when their slain men shall be among their idols round about their altars, upon every high hill, in all the tops of the mountains, and under every green tree, and under every thick oak, the place where they did offer sweet savour to all their idols." (Ezekiel 6:13.)
We learn also that Israel’s neighbors practiced a custom startlingly similar to our practice of putting up Christmas trees. "Thus saith the LORD, Learn not the way of the heathen, and be not dismayed at the signs of heaven; for the heathen are dismayed at them. For the customs of the people are vain: for one cutteth a tree out of the forest, the work of the hands of the workman, with the axe. They deck it with silver and with gold; they fasten it with nails and with hammers, that it move not." (Jeremiah 10:2-4.)
This passage also alludes to the belief in ancient cultures that the tree was symbolic of something cosmological or sky-based. The mention of the "signs of heaven" in the above verse is our clue. As with so many ancient religious or sacred symbols, the "celestial" or "heavenly" tree was an integral part of archaic cultures' star worship.
In Norse mythology, the great ash tree, Yggdrasil, connects the underworld and heaven with its roots and boughs. It’s also called the World Tree, which many ancient cultural traditions remember and reverence, that links heaven and Earth and shelters all the world. The mythical world tree was said to grow from the Earth’s pole and spread its branches among the stars. This "celestial tree" or "tree of life" — a term familiar to Latter-day Saints — was central to astral worship, as Jeremiah pointed out. It’s also the reason we put a star at the top of our Christmas tree.
To Norsemen, sprigs of evergreen holly symbolized the revival of the sun god Balder, who was originally the familiar Baal, sky god of the Old Testament.
Also in the Old Testament, trees are associated with the ancient Canaanite religion devoted to the mother goddess Asherah (Ashtoreth, Ishtar, "star"), which the Israelites, intent on establishing their monotheistic cult of Yahweh, sought to suppress. The cult celebrated Asherah and her consort Baal in high places, on the tops of hills and mountains, where altars dedicated to Baal and carved wooden poles or statues of Asherah (also translated as grove, or wood, or tree) were located.
The significance of trees in ancient Assyria, the acknowledged home of Ishtar or "star" worship, is shown in the numerous reliefs of winged deities watering or protecting sacred trees. Sacred trees, or trees of life, were associated in Ancient Assyria with the worship of the god Enlil, yet another sky god.

So, our Christmas tree has a long and ancient tradition.
The evergreen Christmas tree also represents "World Tree" or "World Axis." The "Star of Guidance" that crowns the Christmas tree is also related to the North Star, Polaris. This natural compatibility of Christmas celebration with late December and beliefs about the evergreen tree, the North Pole, and the spirit called Father Winter, which survives in today’s Santa Claus, are evolutions of ancient tradition.
Notably, the six primary spires on the Salt Lake Temple are the symbolic equivalent of our Christmas tree. A round ball, the equivalent of a star on our tree, tops their conical shape.
Indeed, one of them bears an angel in place of the star, just as do many of our Christmas trees.
Just as the image of the star and the angel are interchangeable in ancient traditions, so too in modern Christmas tree decoration and temple iconography.
In Europe as well as in Asia, the Sacred Tree was considered to be the living image of the axis mundi or "Axis of the World," a figurative or imaginary still point or vertical shaft around which the world turns.
The North Star, Polaris, is the celestial placeholder for that sacred spot in the sky. It’s the only star in the sky that never moves. Throughout the night and year, all the stars move in circles around Polaris, called the pole star since it is located directly over the Earth’s north pole. As the night progresses, the stars will slowly move from east to west, circling around the pole star, due to the Earth’s rotation. Hence, all ancient cultures held that spot in the sky as sacred.
They also associated the pole star with the World Tree or Tree of Life and the central axis of the universe. In tradition, the top of the World Tree touched the North Star. This is the true meaning of the star on top of the modern Christmas tree, and also the reason that Santa makes his home at the North Pole in Christmas tradition.
In South Asia, traditions concerning the enchanted World Tree or World Axis have taken somewhat different forms. And yet, despite the differences, certain common patterns persist. The sacred tree, the vertical World Axis or stambha or stupa and the generous spirit from the far north are all features of pan-Indian culture that derive, most probably, from the same traditional sources as those of Western cultures.
The precedence of the cosmic center among the great ancient cultures has been noted and documented by many scholars. Almost a hundred years ago, William F. Warren, in his groundbreaking work, Paradise Found, identified the celestial pole as the home of the supreme god of ancient races. "The religions of all ancient nations ... associate the abode of the supreme God with the North Pole, the centre of heaven; or with the celestial space immediately surrounding it."
In a general survey of ancient language, symbolism, and mythology, John O’Neill (Night of the Gods) asserted that mankind’s oldest religions centered on a god of the celestial pole.
Latter-day Saints should note that, in keeping with ancient astral tradition, the constellation Ursa Major or Big Dipper, the traditional locator for the Pole Star, is depicted on the west wall of the Salt Lake Temple where it is positioned so as to ‘point’ to the northern sky and the polar star, Polaris.
Also seen immediately above these star stones are the Saturn Stones, circles with a ring.
This is no mere oddity or casual coincidence. As Nibley pointed out, the temple is an earthly replica of the heavens. It puts the uniquely modern temple squarely in the heart of ancient tradition — especially Christmas tradition. Certainly, it speaks to the reverence which modern temple builders placed on the star Polaris and its traditional role in ancient cultures worldwide.
Though it may seem completely odd to us, the Romans, who called themselves "Saturnians" and celebrated Saturnalia at the winter solstice, also placed their god Helios at the heavenly pole where Polaris now sits. In their pantheon, Helios was called the central sun, the axis of the celestial revolutions. But, Helios was also called Saturn.
All Greek astronomical traditions agreed that their god, Kronos, was originally the planet Saturn. What is now the sixth planet from the Sun stands at the center of the Greek paradise myth. According to their traditions, Kronos, the planet Saturn, ruled the heavens for a period, presiding over the Golden Age, then departed as the heavens fell into confusion.
Likewise, the Assyrians placed their central sun, Shamash, at the pole. But, they also asserted that Shamash was Saturn.
A stunning example of the polar Saturn is provided in Chinese astronomy, where the distant planet was called “the genie of the pivot” (Santa Claus?). Saturn was believed to have his station at the pole, according to the eminent authority on Chinese astronomy, Gustav Schlegel. In the words of Leopold deSaussure, Saturn was "the planet of the center, corresponding to the emperor on earth, thus to the polar star of heaven."
Finally, the Egyptian god Atum-Ra was said to be a central sun, standing atop the world pole. But, their traditions also depict Atum-Ra as Saturn.
As peculiar as this tradition of Saturn at the pole may appear to us, it has been acknowledged by more than one authority, including Leopold de Saussure. The principle also figured prominently in the recent work of the historian of science, Giorgio de Santillana and the ethnologist Hertha von Dechend, authors of Hamlet’s Mill. According to an ancient astronomical tradition, the authors suggest, Saturn originally ruled from the celestial pole.
It is also known that Latin poets remembered Saturn as god of "the steadfast star," the very phrase used for the pole star in virtually every ancient astronomy.
Manly P. Hall, noted authority on ancient belief systems wrote, "Saturn, the old man who lives at the north pole, and brings with him to the children of men a sprig of evergreen (the Christmas tree), is familiar to the little folks under the name of Santa Claus."
Santa Claus, descending yearly from his polar home to distribute gifts around the world, is a muffled echo of the Universal Monarch, Saturn, spreading miraculous good fortune. But while the earlier traditions place this sky god at the celestial pole, popular tradition now locates Santa Claus at the geographical pole — a telling example of originally celestial gods being brought down to earth.
The origin of Santa Claus imagery can be readily seen in Egyptian religious art. Atum/Ra, the god of the north, stands in his celestial boat, bark or ark, pulled across heaven by servants or souls.
The Egyptian image metamorphosed over time and across several ancient cultures to become, in Nordic cultures, the old man of the north, Santa Claus, pulled in a sleigh by reindeer.
It is at this point that these ancient traditions most specifically intersect with modern temple symbolism.
Most Saints know of the Sun Stones depicted on the Salt Lake Temple. Given the traditions of the Egyptians, Assyrians and the Romans, it seems likely that those Sun Stones, like the Big Dipper, were placed there in recognition of the ancient traditions, which declared that a "sun" was once positioned at the celestial pole.
Additionally, most Saints are unaware that there are Saturn Stones in the Salt Lake Temple. The original architectural renderings of the building by Truman O. Angel, clearly depicted a planet with two rings around it at the top of each south wall buttress.
Note that there is no such symbol on the Salt Lake Temple as it was finally erected, as we see it today. Instead, a repeated symbol (called a 'frieze' in architecture) of a circle with a ring around it (the traditional symbol for Saturn) was installed to replace the original icon. This circle frieze can be seen on the parapet stringcourse, immediately below the three towers at each end of the temple, and is still referred to in LDS literature and tradition as Saturn Stones.
Just as the Egyptians, Greeks and Romans worshiped a central sun that we, today, can identify from cross-cultural comparisons as Saturn, the various 'stones' on the Salt Lake Temple also celebrate that connection, once again correlating temple iconography with ancient, traditional symbolism that gave rise to our Christmas traditions.
It’s no stretch to see that modern prophets would employ the ancient, traditional symbolism of antiquity on a modern temple. The fact that they would properly use the traditional, sacred, religious icons from the past serves to strengthen Joseph Smith’s and Brigham Young’s claims to being prophets of God.
So, what should we make of Christmas with all its pagan symbolism and motifs? If modern prophets chose to memorialize the symbols of ancient traditions in latter-day temples, then who are we to reject those same symbols and traditions in our Christmas celebration?
© Anthony E. Larson, 2005
Sunday, August 3, 2008
Revelation: Understanding John's Apocalypse
While it is certainly all that, there is much more to discover. With the aid of a new perspective, the mystery of that book vanishes. Revelation becomes a pivotal document, a virtual 'Rosetta Stone’ of the cultural traditions common to 1st century Mediterranean and Middle Eastern peoples.
Let’s look at a summary of the situation that led to John’s vision. Christianity's early leaders, most notably the Apostle Paul, had expanded their missionary efforts far beyond Palestine and its roots in Judaism. Thanks to a revelation given to Peter, they initiated a campaign to win converts from non-Jewish or 'gentile' cultural groups, including Romans, Greeks, Egyptians and Babylonians.
This put the fledgling church on the horns of a dilemma. Gentile religious and cultural traditions were very different from those of Judaism and Christianity. For example, the gentiles believed in a multiplicity of gods while Christianity taught of only one God. This and many other fundamental differences made proselytism difficult for the newly born religion. Yet, if the new church were to survive and flourish, it had to win converts.
What was needed was a strategy to find connections, common ground with the religious traditions of their 'pagan' neighbors to make Christianity more palatable.
John's Revelation was part of that strategy. His vision was an attempt to reconcile the cultural and religious traditions of the Gentiles with that of the Jews, melding them into a new, common tradition for the Christian church that would allow it to appeal to both communities.
Evidence for this is found in several examples of Revelation imagery, which are also found in ancient sources that predate John's writing, demonstrating the 'borrowing' nature of his account.
In Revelation, chapter 13, we read of a rather remarkable beast. "And I stood upon the sand of the sea, and saw a beast rise up out of the sea, having seven heads and ten horns, and upon his horns ten crowns, and upon his heads the name of blasphemy.
"And the beast which I saw was like unto a leopard, and his feet were as the feet of a bear, and his mouth as the mouth of a lion: and the dragon gave him his power, and his seat, and great authority.
"And I saw one of his heads as it were wounded to death; and his deadly wound was healed; and all the world wondered after the beast." (Revelation 13:1-3.)
When we consult sources outside the Bible and Israelite tradition, we find that this story is a rhetorical rendition of a Babylonian tradition. It depicts the epic myth of the celestial battle between the beast, Tiamat and the thunderbolt god, Marduk, as depicted in Babylonian fine art.

To assure the reader that this illustration and John’s depiction stem from the same, identical tradition, note the specific features of the beast: looks like a leopard, feet of a bear and a lion’s head or mouth. The wings on both Tiamat and Marduk represent their power to move about in the heavens as do the winged birds.
Astoundingly, we also see this beast — wounded head and all — depicted in Mesopotamian cylinder seal art hundreds of years before John described seeing it in vision.
This Babylonian ostracon clearly shows the multi-headed leopard form (note the spots) of the beast, as John described it - including the slash mark of Marduk’s sword across one of the heads.
After comparing these two examples of Babylonian art to the Revelation narrative, there can be little doubt that they both stem from the same mythical tradition of the battle between Marduk and Tiamat. This discovery allows for only one of two conclusions: Either this is a rather remarkable coincidence, or it is an instance of borrowing from older, pagan tradition by John. As we shall see from the next example, it was most likely a borrowing.
In his epic vision, John also reported seeing four other beasts in heaven. "And the first beast was like a lion, and the second beast like a calf, and the third beast had a face as a man, and the fourth beast was like a flying eagle." (Revelation 4:7.)
These four are also seen everywhere in the Egyptian tradition that long predates John. Named after Canopus, an area in the Nile delta region, these jars were funerary furniture used to house various organs of the deceased during internment rites. The four creatures depicted on lids of these Canopic jars were said to be the sons of Horus. They are also found in the Joseph Smith papyri.
The Egyptians employed the heads of a baboon and a jackal rather than the Israelite designation of a calf (ox) and lion. This variation is typical from culture to culture and across time, just as the names of the same gods varied. But there is no mistaking that the four creatures seen in prophetic vision also adorned the burial art of Egyptians for many centuries before John penned his Apocalypse.
These two examples amply demonstrate John’s borrowing of pagan tradition and imagery for his own vision. As it turns out, almost all the imagery in Revelation can be traced to common religious traditions of that day and time.
This is a remarkable discovery.
John created an admixture of ancient cultural motifs and Christian beliefs that would give the ring of familiarity to doctrines of the early Christian church among any of his ‘gentile’ contemporaries—a calculated attempt to give Christianity the proper traditional underpinnings necessary to validate any religion, thus making it more acceptable to a much wider audience.
Given this alternative view, we can now see John’s vision with new eyes. Here is the answer to the riddle that is Revelation: The multitude of pagan gods became mythic characters and images in John’s vision—the strange beasts, creatures, kings, women and other icons—in a revised series of sacred dramas, each one calculated to show Christ’s place in those traditions.
© Anthony E. Larson, 2006